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Theses/Dissertations from 2015

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"For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013, Karen Michelle Dabney

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Towards a Queer Black Feminist Theatre Aesthetic: Black American Theater by Three Black Female Playwrights in the Years 1915-1920, Deanna Lynette Downes

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Queer Temporality in the Works of Sarah Ruhl and Sarah Kane, Justine Roxanne Duda

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Gender and the King’s Two Bodies: Interpreting Female Characters in Select Elizabethan and Jacobean Drama, Hadley Kamminga-Peck

Theses/Dissertations from 2014

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Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962), Bianca Claire Gordon

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Singing to the Stars: Cosmic Symbolism in Broadway Musicals, Rebecca Holley

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Hallucinatory Figures in Modern American Drama, Stephanie Lynn Prugh

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Delimiting Diveristy in Contemporary American Theatre: A Study of the Use of Identity-Based Categories in Introduction to Theatre Textbooks, Nathaniel Lawrence Stith

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The Dream Continues: American New Play Development in the Twenty-­First Century, Gregory Stuart Thorson

Theses/Dissertations from 2013

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Drag King Camp: a New Conception of the Feminine, Andryn Arithson

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“Beyond Bedrooms and Kitchens: A Critical Analysis of the Mother Figures in Sam Shepard’s Family Plays”, Audra Juliet Blaser

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Resistant Utopias: Gender Difference and Radical Queer Subjectivity in Post-Gay American Drama, Sarah Crockarell

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Deus Ex Machina: Towards an Aesthetics of Autonomous and Semi-Autonomous Machines, Elizabeth Ann Jochum

The 19 Percent: Disability and Actor Training in Higher Education, Deric McNish

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Ages of a Hawk Moon: The chronology of Sam Shepard’s protagonists and the transition from son to father heralded by The Late Henry Moss., Joshua John Rollins II

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“Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012, Anne Margaret Toewe

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Field of Mars Revisited: The Opera-Installation-Performance of GAle GAtes et al., Daniella Leah Vinitski

Theses/Dissertations from 2012

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Intersections of Theatre Theories of Spectatorship with Musical Theatre Practices in Performance and Production, Jean Louise Balch

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How Don Nigro is Reimagining History for the Stage, Jenn Calvano

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Phamaly and the DisAbility Project: Models of Theater by Disabaled Performers, Jason Bogaard Dorwart

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Student, Player, Spect-actor: Learning from Viola Spolin and Augusto Boal: Theatre Practice as Non-Traditional Pedagogy, Emily Elaine Gammon

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Bang, Bang, Mr. President: Re-Visioning Presidential Assassination on the American Stage, Emily K. Harrison

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Under the Radar: A Study of Small and Mid-Sized Theatres in the Denver-Metro Area, Andrew Metzroth

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Lady Gaga: Performing Monstrosity as a Cultural Revolution, Erica Lynn Peterson

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The Effects of Perceived and Actual Distance and Isolation on Australian Ballet Pedagogy 1851-2011, Stephanie Ann Tuley

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The Intercultural and Psychophysical Pedagogy of Phillip Zarrilli, Lori Lee Wallace

Theses/Dissertations from 2011

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Using Augusto Boal-Based Theatre for Development Methods to Mediate the Introduction of Fuel-Efficient Cook Stoves in Chajul, Guatemala: Provoking Action through an Ethical Intervention., Jason Mark Bisping

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Productions of Spanish Golden Age Drama in Great Britain and Spain, Janine Ann Kehlenbach

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Effective Practices for Establishing an Interactive Theatre Program in a University Community, Benjamin Saypol

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Creating West Side Story: An Investigation of the Sociopolitical Backgrounds and Collaborative Relationships of Jerome Robbins, Arthur Laurents, Leonard Bernstein and Stephen Sondheim in the Creation of the Original Broadway Production of West Side Story, Nathan Stith

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Setting the Scene: Directorial Use of Analogy in Twentieth-Century American Shakespeare, Lawrence Ronald Tatom

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A Typical Drunkard: The Establishment of the Alcoholic Stereotype on the American Stage, Elizabeth H. Williams

Theses/Dissertations from 2010

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Committed Drama within Postdramatic Theatre: A Study of Contemporary German Language Plays, Paulo Ricardo Berton

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The Writer and his Rose: the relationship of Tennessee Williams’ autobiographical artist and fragile female character, and its presence in the life and work of a troubled genius, Anna Lyse Erikson

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Biography cast in irony: Caveats, stylization, and indeterminacy in the biographical history plays of Tom Stoppard and Michael Frayn, Christopher Shonka