This review considers Taylor Mac's 24-Decade History of Popular Music Marathon which took place at St. Ann's Warehouse in Brooklyn, New York from October 8 to October 9, 2016. Using Jacques Derrida's theory of "l'avenir," best translated as the "unexpected visitor" I analyze a variety of the components found in the performance including, queer dramaturgy, song selection, choreography, audience participation and costumes. My critical review examines the concert which pulled liberally from the American songbook, using popular music from 1776 to 2016 in an attempt to collectively exorcise the specters of the patriarchy and exonerate the oppressed in what Mac deemed a “radical faerie ritual.”
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Edgecomb, Sean F.
"A Review of Taylor Mac's 24-Decade History of Popular Music Marathon,"
PARtake: The Journal of Performance as Research: Vol. 1
, Article 10.
Available at: http://scholar.colorado.edu/partake/vol1/iss2/10